Apollo Artist Sessions Vol. V: Jacquire King & Robert Ellis

Session Notes

Watch producer/engineer Jacquire King (Tom Waits, Norah Jones), record Robert Ellis and his band performing "Good Intentions” at the Peter Nappi Leather Shoes and Goods store in Nashville through two first-generation Apollo QUAD audio interfaces and the 4-710d 4-Channel Mic Preamp.

Tracking

To track the ensemble, King set up a virtual analog studio with nearly every source running through the API Vision Channel Strip plug-in and the Studer® A800 Multichannel Tape Recorder plug-in.

Vocals

For Ellis’ lead vocal, a Shure SM7 dynamic mic was used and King placed a Teletronix LA-2A compressor plug-in from the Teletronix® LA-2A Classic Leveler Collection to gently massage the vocal before it hit the “tape” of the Studer plug-in. When mixing the vocal, King used the Legacy Neve® 1073® EQ plug-in, the 1176 Rev A from the 1176 Classic Limiter Plug-In Collection, and the Fairchild 660 from the Fairchild Tube Limiter Plug-In Collection. For ambience and echo, a bus went to the Galaxy Tape Echo and the EMT® 140 Classic Plate Reverberator plug-in.

Guitar

The electric guitar was miked with a Neumann U87 and incorporates a touch of the API’s 225L compression module. For the guitar in the final mix, a combination of the Helios™ Type 69 EQ plug-in and the 1176 Rev E from the 1176 Classic Limiter Plug-In Collection were used. The EP-34 Tape Echo plug-in added a touch of dimension and stereo width.

Drums

The drums were tracked with a stereo ribbon mic for the overhead, a mic on the kick, and a mic on the snare. A major component to the stellar drum tones is King’s use of parallel compression on the drum bus. Using the FATSO™ Jr./Sr. Tape Sim. & Compressor plug-in — the Spank setting and Tranny options engaged — he’s able to season the drums with an aggressive texture that is easily blended back into the mix.

*All trademarks property of their respective owners. Use of artist names does not constitute endorsement of Universal Audio products.

Get more articles delivered to your inbox

Thanks for subscribing
Share Post

Read More

See All Articles

How Apollo's Unison Technology Changes the Way You Record

Hear yourself with studio sound in real time, so you have confidence and your recordings have character.

Carlos de la Garza on Mixing Paramore and Death Cab for Cutie

How the Grammy-winning producer uses Apollo and UAD plug-ins to bridge nostalgia with modern sounds.

Where Does Pitch Correction Go in a Vocal Chain?

Learn the basics of vocal tuning for every application, from signal chain placement to genre-specific settings.

See All Articles